Friday, September 21, 2012
An Evening With One More Robot
You're invited.
For more information visit: https://www.facebook.com/events/225021170956630/
Or if you can't make it, order 'The Interview Issue' right now here: http://onemorerobot.storenvy.com/products/599324-one-more-robot-issue-11-the-interview-issue
Tuesday, September 18, 2012
One More Robot - Issue 11
Interviews
Chuck D (Legendary rapper and primary voice of political rap group Public Enemy)
By David Ma
Beth Jeans Houghton (Singer, songwriter, and leader of Beth Jeans Houghton and The Hooves of Destiny)
By Trisha Doyle
Ken Bruen (Irish noir novelist. His works include The Guards and Priest)
By Michael A. Gonzales
Le Galaxie (Irish dance music group)
By Karen Lawler
Adrian Tomine (cartoonist and illustrator for The New Yorker and his own comic series, Optic Nerve)
By Sam Weiss
Akintola Hanif (Photojournalist, filmmaker and editor-in-chief of groundbreaking culture magazine Hycide)
By Colm Gorey
Cry Monster Cry (Folk duo)
By Jonathan Keane
RawDeal (Rapper and head of the record label Raw's House)
By Dean Van Nguyen
The Sanctuaries (New York-based indie band)
By Nadene Ryan
Rob Salkowitz (author of Comic-Con and the Business of Pop Culture)
By Elaine Burke
Pablo Nouvelle (Swiss musician and filmmaker)
By Simon Mee
Rick James (Funk icon who sadly passed away in 2004. This in-depth interview is previously unpublished)
By Charlie Braxton
Also Includes
Back to Fashion The 2009 film The September Issue took viewers behind the scenes at Vogue’s New York office, documenting the creation of their largest-ever issue and leaving many to wonder where the hype surrounding the all-important September issue of the magazine originates. By Niamh Hynes
I Was a Teenage Prog Nerd One music obsessive outlines his long-standing love affair with progressive rock. By Joe Tangari
and more
Saturday, September 8, 2012
Issue 11 Preview: The Interview Issue
The new issue of One More Robot compiles interview features with a wide variety of musicians, authors, filmmakers, artists and many other noteworthy people. The 11th edition features conversations with...
Chuck D Rapper and primary voice of legendary political rap group Public Enemy
Beth Jeans Houghton Singer, songwriter and freak-folk artist (Yours Truly, Cellophane Nose)
Rob Salkowitz Author of Comic-Con and the Business of Pop Culture
RawDeal Rapper and head of the record label Raw's House
David Stern Frontman of New York band The Sanctuaries
Akintola Hanif Photojournalist and filmmaker
Michael Le Galaxie Member of Irish dance music group Le Galaxie ( Laserdisc Nights 2)
Ken Bruen Irish crime-noir author (The Guards, Priest)
Adrian Tomine Cartoonist and illustrator for The New Yorker and his own comic series, Optic Nerve
Rick James Deceased funk music pioneer (interview previously unpublished)
And loads more interviews besides. Also includes our look at the September fashion craze, prog rock and regular album reviews, including new releases by Jessie Ware and Joe McKee.
New issue out later this month. For the latest news please 'like' us on Facebook.
Chuck D Rapper and primary voice of legendary political rap group Public Enemy
Beth Jeans Houghton Singer, songwriter and freak-folk artist (Yours Truly, Cellophane Nose)
Rob Salkowitz Author of Comic-Con and the Business of Pop Culture
RawDeal Rapper and head of the record label Raw's House
David Stern Frontman of New York band The Sanctuaries
Akintola Hanif Photojournalist and filmmaker
Michael Le Galaxie Member of Irish dance music group Le Galaxie ( Laserdisc Nights 2)
Ken Bruen Irish crime-noir author (The Guards, Priest)
Adrian Tomine Cartoonist and illustrator for The New Yorker and his own comic series, Optic Nerve
Rick James Deceased funk music pioneer (interview previously unpublished)
And loads more interviews besides. Also includes our look at the September fashion craze, prog rock and regular album reviews, including new releases by Jessie Ware and Joe McKee.
New issue out later this month. For the latest news please 'like' us on Facebook.
Sunday, September 2, 2012
Hal David 1921-2012
Years ago, while preparing to write an
essay on Burt Bacharach, my good friend and mentor, the late writer Tom
Terrell, said, "Everybody is always talking about Bacharach, but nobody
ever talks about the great lyrical contributions of Hal David".
Up until that time, I hadn’t thought about Hal David one way or other. Burt, of course, was the cool symbol of the sixties, much like an American version of James Bond, while Hal was "just the writer". Yet, as singer Dionne Warwick once told me, "If it wasn’t for Hal David, people would just be humming".
Listening closely to lyrics, with "Windows of the World" and "Message to Michael" being favorites, I realized just how powerful a pop lyricist Hal David really was.--Michael A. Gonzales
Up until that time, I hadn’t thought about Hal David one way or other. Burt, of course, was the cool symbol of the sixties, much like an American version of James Bond, while Hal was "just the writer". Yet, as singer Dionne Warwick once told me, "If it wasn’t for Hal David, people would just be humming".
Listening closely to lyrics, with "Windows of the World" and "Message to Michael" being favorites, I realized just how powerful a pop lyricist Hal David really was.--Michael A. Gonzales
Thursday, August 30, 2012
The Master Clan
Originally Appears in Issue 11
The world of online gaming is fast becoming one of the largest entertainment movements of the modern age and there are communities taking full advantage. Colm Gorey delves into the world of online battle clans.
Illustration by Louise Butler Sherlock.
The realms of the Internet are often assumed to house a number of sinister groups who either intend on hacking world governments or socially inept psychopaths looking for their next thrill. In reality, online gaming is in the midst of one of the biggest booms in entertainment, culturally and financially, and is fast out-growing the traditional money-spinners of cinema and music. Millions of people across the world are online at any given time playing each other on a variety of different games from the Hollywood-esque shoot em’ ups like Call of Duty to the far removed world of resource gathering and friendliness found in Minecraft.
Despite playing with millions of people, online gaming can be a relatively lonely existence. You drift from one game to the next playing with people who are, in most cases, unidentifiable except for their chosen character name. Games like Battlefield 3 often require teamwork to succeed and the actions of your online teammates can be the difference in whether you win or not. That is why gaming clans developed across the globe for gamers who may be new to a title but want to experience it with a group of similar minded people. Through online forums and getting to talk to people online, clans turn virtual strangers into friendsh through gaming. One gamer I spoke to, Seán Callaghan, is one of 23 full members of one of the largest battle clans in the UK and Ireland: Dogs of War.
Dogs of War
“I got into it about eight years ago,” says Seán, “I had just gotten one of the biggest games at the time, Medal of Honor, and decided to join a server called ‘Newcomers Only’ since I was jumping into the game having never played online before. After a while we got to know each other better after talking and decided that we should join a league for a bit of competitve fun. Sadly, this fell apart after a while and another clan I joined just got too involved in the competitive side of things which is how I ended up at Dogs of War and I’ve been with them for seven years now.”
So what makes a clan identifiable? Similar to a soccer team wearing a particular pattern of colours, a clan will have their own tag. Whether you are playing on an Xbox 360, Playstation 3 or PC, an identifiable tag before a person’s name identifies them as a clan member; in Seán’s case ‘DoW UK’. The average clan has around 20 members who, in most cases, have gotten to know each other personally over a number of years. DoW have regular voice-chats through Ventrilo, a chat application that the members pay for so that they can communicate on a regular basis from all across Europe including the UK, Ireland, The Netherlands and Slovenia. This raises an interesting question: is it possible to form a close relationship with someone in a clan if you very rarely, if at all, meet? Seán explains: “The friendship between everyone in the clan is akin to talking to a friend that has moved to another country yet you talk to them everyday on Skype. When I’m not playing games I’ll go on to Ventrilo and find the rest of the clan doing a range of things whether one person is gaming, I’m browsing the web and another is watching TV. For me, it’s always been about making it a shared experience.”
The make up of a gaming clan member is far removed from the cringeworthy stereotypes of spotty teenagers taking out their social frustrations on virtual characters. For PC gamers in particular, the average age is about 35 but can range from people in their mid-twenties to late fifties. In comparison to the relatively inexpensive costs of the leading consoles, a PC gamer has to put a significant amount of money into a PC set-up. Graphics cards, sound systems and plasma screens are just some of the expenses needed to make a dedicated gaming set up which will likely set a person back a couple of thousand euros.
Can’t Teach an Old Dog
DoW are one of many clans that live and breath first person shooters. Call of Duty, Battlefield and Counter Strike are their bread and butter when it comes to gaming. Whether you’re running around Rambo-style blasting away your friends on a clan server, or teaming up to take on another clan, these games are the grand daddies of the gaming scene, raking in millions of dollars in game sales, merchandise and expansion packs each year. And yet, as each new installment in the franchise comes out, the older stalwarts of the DoW clan are resistant to change. As one of the younger members of the group, Seán has found that the older members are prone to sticking to what they know by playing the older games like Call of Duty 4 and Counter Strike, while younger players, including Seán, have expanded into playing newer games like Battlefield 3.
What is important to know is that membership is not exclusive. If you were looking to join a clan, one of Ireland’s most popular forums, Boards.ie, has a subsection dedicated to a whole variety of games. Similar to Seán starting out with Medal of Honor, a new player to a game can visit one of these subsections and join a number of servers that can cater to their playing style or limitations. One example you can find on Boards.ie is a Battlefield 3 community known as Craggy Island (no prizes on where the inspiration for this name came from). An online community made up of hundreds of members, Craggy Island is a go-to source for all Irish Battlefield 3 PC players whether they want to find clans to enjoy a more competitive side of gaming, or share YouTube videos of their thoughts and ideas on the game, or recorded clips ranging from bloopers to strategy guides and weapon loadouts. Much in the same way that Seán moved towards clans through a Medal of Honor server, I decided to jump right in and try my hand at putting on my warpaint and joining one.
Diving In
I must admit, I am what many would call a ‘casual gamer’ in that I play maybe three times in a week for an hour or two despite the fact I do follow the current gaming news. I own an Xbox 360 and only usually buy a handful of games in a year that I sometimes play online with a friend; possibly the least fearsome duo the internet has ever seen. As a regular member of a particular UK soccer forum that caters to people from all walks of life, I began posting on a thread for a dedicated Xbox Battlefield 3 clan ‘Awooga 365’, which consists of people from both the UK and Ireland. Much like being the only stranger at a party, a shyness came over me as I introduced myself. What struck me first, and what Seán had spoken to me about earlier, the friendliness of total strangers takes you aback. After a bit of back and forth chat, the first game was arranged and I jumped in to their rented server.
In the first few matches I sheepishly tried to talk to my new teammates through my microphone but gradually I found myself laughing and making fun of virtual strangers, for want of a better word. As a teamwork-orientated game, having a larger group of people to play with was a far more enjoyable experience but also as a place to mess around with the almost never-ending possibilities that can be found when playing such a vast game like Battlefield 3. Once we finish up, it’s back to the forum where we laugh or moan about the battle.
Looking at the other end of the scale, there are hundreds of clans who take gaming that bit more seriously and wage war virtually for a lot of money. When I spoke with Seán, he explained to me a world that is simply beyond my comprehension. Throughout the United States and South Korea (and, to a lesser extent, Europe) clans come to events to compete for prizes that can range from a few hundred dollars to hundreds of thousands. Started in 2002, E-sports website Major League Gaming (MLG) is to gaming what the Premier League is to soccer. Clans of any skill can go onto the MLG website and challenge one another to a battle in a variety of games including Call of Duty and FIFA.
In Game Battles, prestige and boasting rights are the prizes on offer as hundreds of matches are scheduled between teams of all sizes on a daily basis. “It’s great entertainment to watch,” says Seán. “I pay $20 a month and with that I can watch all of the matches on MLG in live high-definition.” This watching of clans and computer games in general has started, what might be considered by some, to be a strange experience. With increasing regularity, bars like Captain America’s are taking part in a new scene called Barcraft. In a similar way to soccer fans coming to bars to watch soccer, gaming enthusiasts can come to the bar and watch some of their favourite players and teams compete in one of the biggest and most lucrative games in terms of cash prizes, called Starcraft 2. A real-time strategy game based in a far-future conflict between different races, alien and human, players try to out-skill their opponents by building a better army using a variety of tactics. Similar, in almost every way to watching a popular sport, people in their hundreds turn up to Barcraft events, cheer on their players and teams while eating and drinking to their hearts content.
Understandably, many people unfamiliar with the game can be taken aback by the sights of a large group of people cheering and shouting at a computer game. Indeed, people like Seán do not see a day when Ireland or the rest of Europe will reach the mainstream heights experienced by the professional players in South Korea or North America: “In the past, there were attempts to create an E-sports community here in Ireland but it just hasn’t reached the same levels as in other countries. This is mostly down to a number of reasons including broadband infrastructure which is weaker compared to other countries.”
The Future
So what does the future hold for clan gaming? DoW has continued in the same manner for a number of years now and it would appear any major changes to what games are being played will be unlikely. The Irish scene has much further room to expand, but ideas like Barcraft are pushing the boundaries of how being a gamer is perceived in popular culture. No longer are games played solely by spotty teenagers, but people of all ages, men and women, who see the fun Internet gaming can provide given the increasing power and speed of modern broadband.
As we spend more and more of our time logged on to the Internet, the huge growth of social communities and groups online are inevitable or already with us. Through gaming, people like Seán found a way of making new friends across a number of countries with like-minded people without having to leave his computer at home. And yet, this summer DoW will be putting down their mouse and keyboard and raising a drink during their annual meet-up in the UK and continue where they left off, except this time in person.
Friday, June 1, 2012
Crack and the Conspiracy to Destroy Urban America?

by fayemi shakur, photo by Akintola Hanif
One month before the assassination of Martin Luther King Jr, FBI director J. Edgar Hoover sent out a memo outlining his then secret Counter Intelligence Program (COINTELPRO). After decades of speculation, the goals of the program were made public under the Freedom of Information Act revealing Hoover’s plan “to prevent the rise of a black messiah, who could unify and electrify the black militant movement, to publically discredit and embarrass black leaders, and to prevent the long-range growth of militant black organisations, especially among youth”. The public documents confirm the FBI successfully infiltrated black nationalists groups and caused major disruptions within the civil rights and black power movements which indirectly and directly led to the assassinations of Dr King, Malcolm X, Fred Hampton Jr and numerous others.
The FBI’s tactics also included the introduction of drugs like heroin and LSD, and the manipulation of communications to cause dissention, chaos and confusion. Hoover’s memo explained the purpose of the endeavor – “to expose, disrupt, misdirect, discredit, or otherwise neutralise the activities of black nationalist hate-type organizations”.
What does any of this have to do with crack?
If you think about it, crack was another effective way to ‘neutralise’ would-be leaders in America’s urban cities. Didn’t crack also prevent long-range growth of black youth and fulfill the goals of COINTELPRO?
In the early eighties LA based drug trafficker ‘Freeway’ Rick Ross (not the rapper, the real Rick Ross) hooked up with CIA agent Danilo Blandon and his partner Norwin Meneses Cantarero, two Nicaraguan exiles, who supplied him with cocaine. The government was well aware of the activities and didn’t try to stop it. Blandon supplied access to the drugs and used profits to fund the Contras, a nasty guerilla army he was connected to in Nicaragua also connected to the Iran-Contra scandal. It was a mess.
By 1982, Ross was allegedly selling over $3 million worth of cocaine a day and buying 455 kilos a week. He sold it to street organisations like the Bloods and Crips who turned it into cheaper, potent crack cocaine. Eventually he had thousands of employees who helped distribute it all over America’s urban cities. A documentary film, Bastards of the Party directed by Cle Shaheed Sloan, portrays how efforts of the Bloods and Crips to unify their communities were undermined early during their formation particularly once drugs and turf wars broke out. Ultimately, both street organisations were criminalised and overcome by criminal behavior.
In 1996, the San Jose Mercury News published a three-part article, ‘Dark Alliance’, by journalist Gary Webb which laid out the Ross, Blandon, Contra connection in full detail. Congresswoman Maxine Waters called for hearings on the matter but the CIA connection was never proven and nothing ever came of any of it. America’s ‘War on Drugs’ campaign first coined by the Nixon Administration was a sad joke. Ross was incarcerated for seven years and Blandon went on to work for the US Drug Enforcement Agency.
While Ross was in prison he created a socially conscious website, Freewayenterprise.com, with a simple agenda: education, not incarceration.
“You can't get rid of the dope dealer and solve the problems. They'll find themselves another dealer. This is not a problem you can incarcerate your way out of,” explains Ross.
And how can anyone explain declining crime rates and exploding prison budgets?
Mandatory minimum drug sentencing in the US gave offenders three times more prison time for crack cocaine arrests than powdered cocaine arrests. This led to racial disparities in sentencing filling America’s profit based prisons with thousands of black and brown non-violent drug offenders.
In her book, The New Jim Crow: Mass Incarceration in an Age of Colorblindness, author Michelle Alexander explains how the criminal “caste system”, as she calls it, affects not just the 2.3 million people behind bars, but also the 4.8 million others on probation or parole (predominately for nonviolent offenses), and says nothing of the millions more whose criminal records stigmatize them for life.
Apparently, those who control America’s criminal justice system see it another way and though the crack epidemic has faded, America’s addiction to drugs and lies has not. It’s hard to think of the full arc of possibilities that could have existed without this type of institutionalised and internalised racism, without COINTELPRO, without crack.
fayemi shakur is a freelance writer and a Managing Editor of
HYCIDE, a photojournalism and art publication based in Newark, N.J.,
USA. www.hycide.com
Friday, May 25, 2012
One More Robot - Issue 10
BUY ONLINE NOW
Features
Let’s Talk About Sex, Cindy
The self-appointed ‘Michael Bay of business’, Cindy Gallop, talks entrepreneurship, gender equality, and, most importantly, sex.
by Elaine Burke
A History of Dublin Subcultures
Since the fifties, Dublin has seen its fair share of cultural movements, with mods, rockers, teddy boys and bikers, among others, all being popular among the city’s youth.
by Ruraidh Conlon O’Reilly
Gothic City
Dublin’s small, secluded Goth scene exists with the help of specialised night club Dominion and event organisers Sedition Industries.
by Jonathan Keane
Peace, Unity, Freedom: Rocking and Rolling in Eastern Nigeria
A look at the music of Nigeria’s underground rock’n’roll subculture of the 1970s, featuring Fela Kuti, Monomono and The Funkees, among others.
by Joe Tangari
The Master Clan
Despite their members often being scattered around the world, online battle clans share a unique brotherhood.
by Colm Gorey
Memories of Crack City
How crack cocaine wounded New York City and the artists, musicians, filmmakers and writers who captured the drug’s impact.
by Michael A. Gonzales
Also Includes
Adam ‘MCA’ Yauch 1964-2012 Miles Marshall Lewis remembers the sadly departed Beastie Boy.
Trayvon Martin and the Quest for Justice Charlie Braxton describes how the senseless slaying of a teenage boy heightened racial tension across America.
Label Perils Karen Lawler spoke to First Music Contact’s Angela Dorgan about dodgy record label deals and how unsigned bands can avoid getting conned.
Half Life On the back of De La Soul’s recent side project, Dean Van Nguyen examines how alter egos have affected the output of hip-hop artists.
Femme Fetale Simon Mee on the tragic demise of ‘Chelsea Girl’ Nico.
and much more!
Features
Let’s Talk About Sex, Cindy
The self-appointed ‘Michael Bay of business’, Cindy Gallop, talks entrepreneurship, gender equality, and, most importantly, sex.
by Elaine Burke
A History of Dublin Subcultures
Since the fifties, Dublin has seen its fair share of cultural movements, with mods, rockers, teddy boys and bikers, among others, all being popular among the city’s youth.
by Ruraidh Conlon O’Reilly
Gothic City
Dublin’s small, secluded Goth scene exists with the help of specialised night club Dominion and event organisers Sedition Industries.
by Jonathan Keane
Peace, Unity, Freedom: Rocking and Rolling in Eastern Nigeria
A look at the music of Nigeria’s underground rock’n’roll subculture of the 1970s, featuring Fela Kuti, Monomono and The Funkees, among others.
by Joe Tangari
The Master Clan
Despite their members often being scattered around the world, online battle clans share a unique brotherhood.
by Colm Gorey
Memories of Crack City
How crack cocaine wounded New York City and the artists, musicians, filmmakers and writers who captured the drug’s impact.
by Michael A. Gonzales
Also Includes
Adam ‘MCA’ Yauch 1964-2012 Miles Marshall Lewis remembers the sadly departed Beastie Boy.
Trayvon Martin and the Quest for Justice Charlie Braxton describes how the senseless slaying of a teenage boy heightened racial tension across America.
Label Perils Karen Lawler spoke to First Music Contact’s Angela Dorgan about dodgy record label deals and how unsigned bands can avoid getting conned.
Half Life On the back of De La Soul’s recent side project, Dean Van Nguyen examines how alter egos have affected the output of hip-hop artists.
Femme Fetale Simon Mee on the tragic demise of ‘Chelsea Girl’ Nico.
and much more!
Thursday, May 24, 2012
Living in (Crack) City
by Michael A. Gonzales
In Spike Lee's half-brilliant Jungle Fever (1991), when protagonist Flip Purify (Wesley Snipes) wanders through the gritty streets of Harlem looking for his crackhead brother Gator (Samuel L. Jackson), the filmmaker chose to highlight the harrowing sequence by using Stevie Wonder's powerful soul anthem 'Living for the City'.
When the drug was introduced to the Harlem scene in the early-1980s it was only a matter of months before the foundation began to crumble. A year later, the majority of New York's low-income neighbourhoods looked like the war-torn landscapes of Europe during WW2. Watching the film during it's opening week-end twenty-one years, I related well to the disgust on Flip's face as he stared at the devastation that crack cocaine caused in our community.
As a native New Yorker born and raised on the uptown streets of Harlem, my personal version of 'Living for the City' went from stickball games in the street to dodging bullets in the day as crack vials shattered beneath my sneakered feet. Yet, while smoking crack rocks began its raging rein of terror in 1984, the same communities were also contributing culturally with the rise of rap music.
With rappers becoming the aural equivalent of Italian neo-realists directors, my favorite being Vittorion De Sica, these young poets were unafraid of showing 'the real' in their material. It was only a matter of time before crack culture (selling, buying, dying) and rap music began to overlap. Twenty-eight years after I first heard a cocaine corner boy on a 145th Street muttering, "Crack, crack, crack," there has been thousands of rock related songs released.
When I began working on my latest drug-related essay 'Memories of Crack City' for the forthcoming One More Robot Summer Issue, I spent a lot of time on YouTube getting lifted and inspired by crack songs created by everyone from Schoolly D to Lil Wayne to Rick Ross. However, since this is issue #10, I decided to pick my personal top-ten crack classics based discs to serve as the soundtrack. In addition, since the piece is about New York, all the songs selected are East Coast based. As one crack head screamed to the other, "Rock on!"
1. Cracked Out by Masters of Ceramony
2. Ten Crack Commandments by The Notorious BIG
3. Rap Game/Crack Game by Jay-Z
4. White Lines by Grandmaster Melle Mel & The Furious 5
5 Crack Attack by Fat Joe
6. Night of the Living Baseheads by Public Enemy
7. Incarcerated Scarfaces by Raekwon
8. Shook Ones by Mobb Deep
9. Just to Get a Rep by Gang Starr
10. NYC Crack by The Wu Tang Clan featuring RZA
Bonus Track. The P is Free by Boogie Down Productions
Read Michael's essay 'Memories in Crack City' exclusively in the new issue of One More Robot.
In Spike Lee's half-brilliant Jungle Fever (1991), when protagonist Flip Purify (Wesley Snipes) wanders through the gritty streets of Harlem looking for his crackhead brother Gator (Samuel L. Jackson), the filmmaker chose to highlight the harrowing sequence by using Stevie Wonder's powerful soul anthem 'Living for the City'.
When the drug was introduced to the Harlem scene in the early-1980s it was only a matter of months before the foundation began to crumble. A year later, the majority of New York's low-income neighbourhoods looked like the war-torn landscapes of Europe during WW2. Watching the film during it's opening week-end twenty-one years, I related well to the disgust on Flip's face as he stared at the devastation that crack cocaine caused in our community.
As a native New Yorker born and raised on the uptown streets of Harlem, my personal version of 'Living for the City' went from stickball games in the street to dodging bullets in the day as crack vials shattered beneath my sneakered feet. Yet, while smoking crack rocks began its raging rein of terror in 1984, the same communities were also contributing culturally with the rise of rap music.
With rappers becoming the aural equivalent of Italian neo-realists directors, my favorite being Vittorion De Sica, these young poets were unafraid of showing 'the real' in their material. It was only a matter of time before crack culture (selling, buying, dying) and rap music began to overlap. Twenty-eight years after I first heard a cocaine corner boy on a 145th Street muttering, "Crack, crack, crack," there has been thousands of rock related songs released.
When I began working on my latest drug-related essay 'Memories of Crack City' for the forthcoming One More Robot Summer Issue, I spent a lot of time on YouTube getting lifted and inspired by crack songs created by everyone from Schoolly D to Lil Wayne to Rick Ross. However, since this is issue #10, I decided to pick my personal top-ten crack classics based discs to serve as the soundtrack. In addition, since the piece is about New York, all the songs selected are East Coast based. As one crack head screamed to the other, "Rock on!"
1. Cracked Out by Masters of Ceramony
2. Ten Crack Commandments by The Notorious BIG
3. Rap Game/Crack Game by Jay-Z
4. White Lines by Grandmaster Melle Mel & The Furious 5
5 Crack Attack by Fat Joe
6. Night of the Living Baseheads by Public Enemy
7. Incarcerated Scarfaces by Raekwon
8. Shook Ones by Mobb Deep
9. Just to Get a Rep by Gang Starr
10. NYC Crack by The Wu Tang Clan featuring RZA
Bonus Track. The P is Free by Boogie Down Productions
Read Michael's essay 'Memories in Crack City' exclusively in the new issue of One More Robot.
Saturday, May 12, 2012
Issue 10 Preview: The Subculture Issue
In our upcoming Summer edition One More Robot have turned their attention to various subcultures the world over. From Dublin's Goth scene to the underground Nigerian rock movement of the 1970s, our staff never cover the obvious. Here's a small preview of what we have in store.
To be one of the first to receive your copy, not to mention our Autumn and Winter editions later this year, be sure to subcribe right this minute.
We examine Irish subcultures through the second half of the 20th century, with very special photography provided by Garry O'Neill.
A look at Dublin's small, secluded Goth scene, including specialised night club Dominion and event organisers Sedation Industries.
A look at the music of Nigeria's underground rock'n'roll subculture of the 1970s, featuring Fela Kuti, Monomono and The Funkees, among others.
Michael A. Gonzales remembers how crack cocaine wounded New York City and outlines how it was captured by artists, musicians and writers.
The tragic demise of the mysterious and haunting Nico.
Album reviews include Nicki Minaj, Bear in Heaven, The Futureheads, Too Short and M Ward.
And there's a ton more we couldn't find decent YouTube vids to match up with. New issue out later this month. For the latest news please 'like' us on Facebook.
To be one of the first to receive your copy, not to mention our Autumn and Winter editions later this year, be sure to subcribe right this minute.
We examine Irish subcultures through the second half of the 20th century, with very special photography provided by Garry O'Neill.
A look at Dublin's small, secluded Goth scene, including specialised night club Dominion and event organisers Sedation Industries.
A look at the music of Nigeria's underground rock'n'roll subculture of the 1970s, featuring Fela Kuti, Monomono and The Funkees, among others.
Michael A. Gonzales remembers how crack cocaine wounded New York City and outlines how it was captured by artists, musicians and writers.
The tragic demise of the mysterious and haunting Nico.
Album reviews include Nicki Minaj, Bear in Heaven, The Futureheads, Too Short and M Ward.
And there's a ton more we couldn't find decent YouTube vids to match up with. New issue out later this month. For the latest news please 'like' us on Facebook.
Friday, May 11, 2012
Adam ‘MCA’ Yauch 1964-2012
I nearly never heard Licensed to Ill back in 1986 because a Five Percenter almost robbed me for daring to support white MCs. 16 at the time, I’d just copped my shrink-wrapped copy of The Beastie Boys classic debut album from Crazy Eddie electronics store in The Bronx, along with a ham-and-cheese hero from my local Bibbo’s Deli. New York City DJs Red Alert, Chuck Chillout, Mr Magic and others spun ‘The New Style’, ‘Hold It Now, Hit It’, ‘Posse in Effect’ and the rest of the group’s Roland TR-808-powered beats on their late-night hip-hop shows on a regular basis. But the Five Percenter – Rashawn was his name – was set to toss my Licensed to Ill in the garbage that cold winter’s day right along with my swine sandwich.
“Fuck those whiteboys,” he said, a fine way to dismiss MCA, Mike D and the King Ad-Rock. Hip-hop’s Ramones. The Caucasian Run-DMC. I was never able to see The Beastie Boys live in concert, and now I never will.
Adam Nathaniel Yauch, rapper MCA, died on May 4th of salivary gland cancer. He was 47. Licensed to Ill, Paul’s Boutique (1989), Check Your Head (1992) and Ill Communication (1994) represent an uninterrupted stretch of crazy-high quality hip-hop in a genre that often struggles to put out more than two consecutive classics. As a group, The Beastie Boys are matched only by De La Soul in that regard.
MCA was the face of The Beasties’ evolution, from the teenage faux anarchy of their hit ‘(You Gotta) Fight for Your Right (to Party!)’ and the inflatable penises of their live shows to Tibetan Freedom Concert appearances and Yauch’s own nonprofit organisation for Tibetan independence, the Milarepa Fund. Yauch is survived by his wife, Dechen Wangdu – an American of Tibetan descent – and their daughter, Tenzin Losel.
As their labelmates on Def Jam brought hip-hop into suburbia, Beasties samples introduced Led Zeppelin, Black Sabbath and The Clash to the hood. Urban cultural exchange at its finest. --Miles Marshall Lewis
“Fuck those whiteboys,” he said, a fine way to dismiss MCA, Mike D and the King Ad-Rock. Hip-hop’s Ramones. The Caucasian Run-DMC. I was never able to see The Beastie Boys live in concert, and now I never will.
Adam Nathaniel Yauch, rapper MCA, died on May 4th of salivary gland cancer. He was 47. Licensed to Ill, Paul’s Boutique (1989), Check Your Head (1992) and Ill Communication (1994) represent an uninterrupted stretch of crazy-high quality hip-hop in a genre that often struggles to put out more than two consecutive classics. As a group, The Beastie Boys are matched only by De La Soul in that regard.
MCA was the face of The Beasties’ evolution, from the teenage faux anarchy of their hit ‘(You Gotta) Fight for Your Right (to Party!)’ and the inflatable penises of their live shows to Tibetan Freedom Concert appearances and Yauch’s own nonprofit organisation for Tibetan independence, the Milarepa Fund. Yauch is survived by his wife, Dechen Wangdu – an American of Tibetan descent – and their daughter, Tenzin Losel.
As their labelmates on Def Jam brought hip-hop into suburbia, Beasties samples introduced Led Zeppelin, Black Sabbath and The Clash to the hood. Urban cultural exchange at its finest. --Miles Marshall Lewis
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