Wednesday, October 12, 2011

Spotlight: Julie Dexter


Originally Appears in Issue 8

There is something about Julie Dexter’s voice. Smooth and slow in pace, but delivered with a playful effervescence, the soul singer lets it gently splash at the end of each sentence, as she bounces from one idea to the next.

We’re speaking over the phone about her fourth album, New Again, a collection of songs fused with a blend of jazz, soul and reggae released in April earlier this year. The English singer, born in Birmingham but now based in Atlanta, Georgia, is full of enthusiasm when talking about her latest effort, describing her music as “jazzy soul, dipped in the roots of reggae”.

Arriving 11 years after her debut, Peace of Mind, the material found on New Again reflects a fresh beginning for Dexter. “This is a whole new phase of my life”, she says. “I just became a mother again. There’s a lot been happening since the last album was released [in 2005]. I’ve gotten married; I’ve had a second child. So you know, it’s just like saying ‘I’m back but I’m new, and there’s a lot of new stuff happening’”.

With lush, indulgent songs such as ‘Sunshine’ and ‘Blue Skies’, New Again is marked from the outset with a confident soulful jazz. Within them, “there’s a sense of a new day, there’s optimism, there’s faith”, the singer says in an accent that now owes as much to the Atlanta sun as the Birmingham rain.

“In terms of putting an album together, sometimes I go by the lyrics, sometimes I go by the music, sometimes the tempo – there are so many things that determine for me the mood of an album, so in this particular instance I definitely viewed [New Again] with a lyrical conscience of sunshine and blue skies”.

Working in tandem with her team of musicians and producers, Dexter created a record she descrines as “a variety of sounds, tempos and what I call backdrops for me to express myself as a singer-songwriter. So, you know, I remember thinking a little bit of dance here, a bit of jazz, a bit of love, a bit of blues”. The result is a self-assured collection of songs.

When Dexter is not recording music and touring, she is busy managing her small music label Ketch A Vibe Records, through which she releases her own material. But, with four albums in, she shows no sign of giving up creating music anytime soon. “It’s been a journey for me”, the singer laughs. --Simon Mee

Thursday, October 6, 2011

Steve Jobs 1955-2011

Image by Tsevis Visual Design

Steve Jobs sadly died yesterday after a long battle with cancer. As a tribute to the visionary inventor we're republishing a piece that ran in Issue 5, originally titled The Exodus of Steve Jobs.
The article looks at how Jobs turned what seemed to be a massive blow to his career into a great opportunity and ends with an important rhetoric from Jobs himself that helps sum him up: "Don't settle".

Laura O’Brien takes a look at how Steve Jobs lost his power at Apple in the eighties and finds out what he did to build himself back up again.

Finding what you want to do for the rest of your life at 20 is lucky. Losing it all at 30 is devastating. This was Apple CEO Steve Jobs’ position in 1985. But what would appear to be a fatal blow to a career turned into great success and opportunity. Without this loss, would Apple, one of the most influential media giants in the world, be what it is today?

In 1981, the Apple corporation was under threat. While the Apple II computer was prosperous, it’s successor, the Apple III, had tanked. Worse still, industry giant IBM had plans to enter the computer market. They needed another winning machine and fast.

The board turned to the company’s cofounder and product inventor, Steve Jobs. After having developed Apple’s previous computers, they hoped he could create another success story for Apple. His newest project idea was Lisa, which used a graphical user interface (GUI) as opposed to a command-line interface. However, tensions were fraught in production, as the team felt that Jobs was a difficult manager to work with. When he was thrown off the project, he sought revenge by taking on another project within Apple known as the Macintosh. He aimed to design it as a cheaper GUI based machine in order to jeopardise Lisa’s sales. It was developed by an impressive team of engineers, invigorated by Jobs, who referred to them as “the pirates” and the rest of the Apple company as “the Navy.”

This rebellion reflected how Steve Jobs carried himself in the office. A former board member, Arthur Rock, recalled his lax office dress to a University of California oral-history project. “Jobs came into the office, as he does now, dressed in Levi’s, but at that time that wasn’t quite the thing to do [...] And I believe he had a goatee and a mustache and long hair--and he had just come back from six months in India with a guru, learning about life. I’m not sure, but it may have been a while since he had a bath.”

In spite of this antagonisation, John Sculley, then CEO of Apple who was hired by Jobs to run the company, heavily promoted the Macintosh. Lisa became a failure, and Apple needed this computer to be successful. Yet, while initial sales were promising, they soon fell. The pressure was mounting and Jobs’ attitude was grating. Sculley had no choice but to remove all managerial authority from him. He remained as a ‘chairman’, a mere ceremonial title.

Steve Jobs was at a loss. Apple had been his entire life and to remove his power was devastating. Yet he still had a passion for computing and began working on a new project known as NeXT, a machine designed for the higher education market. He enlisted the best engineers and sales people from Apple to help him start up this new business.

His employers attempted to sue them, only to see their tactic backfire, as it only bolstered the publicity of NeXT and portrayed Apple as being fearful of competitors. A settlement was quickly reached – NeXT were not allowed compete directly with Apple products and they were required to show the company their new merchandise before they released them to the press.

In the meantime, Jobs began to develop the company, using his unique business style. Their base was designed to be open, spacious and communicative. All employees worked in a common room area, decked out with leather couches and Ansel Adams prints.

Jobs wanted the NeXT machine to be the best it could be, with high quality hardware and the most advanced software. He based the operating system (OS), called NeXTSTEP, on UNIX, the most complex at the time, but added his own GUI for easier use. The product was known as the NeXT Cube and was released in October 1988. Costing $6,500 and reported to have been missing useful software, it did not sell. They attempted to expand its market from just educational purposes and released a cheaper model known as NeXT station, but there was no improvement. By 1993, all of its cofounders left. The company were forced to drop out of the hardware market and focus on niche software.

NeXT was not the only project Jobs undertook. In 1986, he bought the Graphics Group, which was a part of Lucasfilm’s computer graphics department. This team dreamed of making animated features using CGI on machine, initially developed for this purpose, such as the Pixar Image Computer. But with a price of $135,000, very few were sold. They shut down the hardware division, focusing on developing 3D language software called Renderman. It found some success, selling 100,000 licenses and was used by James Cameron for Terminator 2: Judgement Day. Their short animations Luxo Jr and Tin Toy, headed by John Lasseter, earned themselves Oscar nominations. Yet the company was still far from being profitable. All that was about to change.

Lasseter pitched to Disney the idea of developing a Christmas special for them. They were so impressed by their short animations, they asked them to produce three movies. This created a huge re-organisation of the company, devoting much of its resources to animation. The first feature planned was Toy Story. In spite of getting this landmark deal, the pressure was on to succeed. If Jobs funded another failure, he would have been forced to sell Pixar to someone else. Negotiations were tense, due to Jobs and Disney film division head Jeffrey Katzenberg’s fraught relationship. Only months before, Jobs had gotten into a blazing argument with Katzenberg when he tried to sell them some of his NeXT computers. Still, the negotiations went well and the deal was finalised.

The production was not without its problems. 10 months in, the entire film had to be rescripted, as Disney felt that the character of Woody was far too mean. This posed a huge threat to scheduling, but eventually the script was reworked and the film was released in November 1995, right in time for Chrstmas. Jobs was more focused on his NeXT company, but he noticed the hype that Toy Story was getting and saw the opportunity in Pixar once again.

Jobs made Pixar go public the week after the release of Toy Story. The film may have earned $39.1 million on its opening weekend, but Pixar were worth more on the stock market. And with that, Jobs net worth was over $1.5 billion – far greater than it ever was when he was in Apple. The company itself were facing difficulties, thanks to Microsoft’s release of the hugely successful Windows 95. They were losing marketshare and needed a new OS for their hardware. Apple’s newly appointed CEO, Gil Amelio, chose Jobs’ NeXTSTEP OS, paying $400 million for the company. This was used to develop their newer OS and contained many attributes that are still on Macs today, such as the Dock and the Finder browser window.

By 1997, Apple’s losses were huge, so Amelio was removed from the head position. Jobs stepped in as interim CEO and began restructuring the board of directors and entire company line. This lead to him becoming Apple’s full time CEO. Within six months, he released the Power Mac G3 and the Powerbook, which were not only great successes, but had helped the technological community restore its fate in the Apple brand. Not only had Steve Jobs returned to Apple, who had thrown him out years before, but he had regained power of the entire company.

While Steve Jobs initial reaction to his own ousting was despair, in hindsight, he has regarded it as the best thing that has happened to him. “Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work.” he said at a Commencement address in 2005, “And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle.”

Friday, September 23, 2011

One More Robot - Issue 8




ISSUE SOLD OUT

Featured Articles

One More Robot’s 100 songs that changed the game
A breakdown of 100 post-World War II songs that shaped the world’s cultural, political and musical landscape.

 
Cold Blood: On Jim Thompson and Stanley Kubrick
The turbulent relationship between a lowly paperback writer and rising filmmaker.
by Michael A. Gonzales

 
The Porn Guy
Luke Ford, who for 10 years worked as a porn journalist, talks about his career covering the adult film industry.
by Derek Owens

 
Broadway Buddas and the Birth of Hip-Hop
How two young teenagers stumbled upon a genre of music still in its infancy.
by Michael A. Gonzales

Rock-Off Redemption
Coverage from our recently staged gig night with photographs and interview with joint winners Race The Flux and Tandem Felix.


Also includes

Spotlight: Julie Dexter Simon Mee chats to soul songstress and label head Julie Dexter.

 
The Irish Underground With music blogs hailing the arrival of Dublin-based rapper Lecs Luther, Dean Van Nguyen meets some other Irish hip-hop artists on the challenges of working in the genre.

 
Webcrawler More cherry-picked internet sites from Declan Aylward.

 
Dead To Rights Seán McTiernan discusses the lasting influence of Sam Raimi’s seminal horror film The Evil Dead.

 
Ah, Sure, Look It Niamh King recalls how teenage fiction helped her survive her formative years.

Half Nelson Jason Robinson on the alternating careers of Ben Affleck and Matt Damon.

Saturday, September 10, 2011

Issue 8 Preview

A glimpse into our amazing Autumn issue...

We examine 100 of the most influential post-WWII songs. Features 'Flava In Yo Ear - Remix' and 99 other songs.


A look at the working relationship between writer Jim Thompson and filmmaker Stanley Kubrick, the creative team behind The Killing.
 

Looking at Sam Raimi's The Evil Dead, 30 years after it's release. 


Music reviews include Gucci Mane & Waka Flocka Flame, Disco Inferno and Leader Cheetah


In a new section, Mike McGrath-Bryan reviews three retro video games, including Street Fighter Ex Plus Alpha.


We've an interview with the soulful Julie Dexter.


Reports from our Rock-Off Redemption including interviews with winners Race The Flux and Tandem Felix.


Declan Aylward lists the five worst conceived comicbook characters of all time.


And there's a ton more we couldn't find decent YouTube vids to match up with. New issue out in September. For the latest news check back here, here and here.

Friday, August 19, 2011

Back Issues Now Available


We've cracked open the One More Robot archives and dug out every back issue from our third edition onwards. For a limited time you can pick them up on eBay for just €3.50 ex. P&P. Click the links below for more information on how to buy each issue.

Issue 7 (The Pop Issue)

Issue 6 (The Vinyl Issue)

Issue 5 (Dublin's Sonic Boom)

Issue 4 (The Generation X Issue)

Issue 3
(Interviews with Anton Newcome of The Brian Jonestown Massacre and The Velvet Underground's John Cale)

The Five Coolest Movies Being Made Right Now


Matthew Jaffrey previews five up movies currently in the Hollywood pipeline.

World War Z
Perhaps only Brad Pitt's involvement as producer and star could have gotten a zombie holocaust movie green-lit to the tune of a $125 million budget, so we must give are thanks that Pitt has an eye for good material and the balls to take risks. World War Z is an adaptation of the novel of the same name, written by Max Brooks. Pitt plays a fictional version of the Brooks, who, in the novel, is a journalist compiling interviews and first person accounts of various individuals’ struggles during the zombie epidemic which ended 10 years previously. It all sounds very exciting, the only drawback is that in order to secure the huge budget, Pitt and director Marc Foster conceded to a tame PG-13 rating.

Django Unchained
Tarantino’s new film is shaping up nicely. The story follows Jamie Foxx’s slave Django as he escapes imprisonment from sadistic ranch owner Calvin Candy, played by Leonardo DiCaprio. Candy runs an underground club in which slaves are raped and forced to kill each other, so it’s no surprise that when Django escapes, he wants revenge. The big name casting doesn’t stop there. Kevin Costner is confirmed to play Candy’s right hand man who revels in the sadistic orders he’s given, while Samuel L. Jackson is signed on to play Stephen, a house slave loyal to Candy. Christoph Waltz, who won an academy award playing Colonel Landa in Basterds plays a German bounty hunter, who is reportedly the real star of the piece. All-in-all it’s pretty familiar territory for Tarantino but it seems Django is turned up to 11 and you can’t deny that it’s one hell of an impressive cast.

Cloud Atlas
Based on the existential, labyrinthine novel by David Mitchell, Cloud Atlas stars Tom Hanks, James McAvoy, Halle Berry and Hugo Weaving. The novel follows six narratives from different points of history, ranging from 1850, to a dystopian near-future and even a post-apocalyptic distant future. Director Tom Tykwer and producers The Wachowski Brothers of Matrix fame are collaborating on the adaptation. Here’s hoping Hanks returns to form after the disappointing Larry Crowne and forgettable Robert Langdon movies.

Prometheus
Originally intended as Ridley Scott’s return to the deflated Alien franchise, then as a spin-off to it, and finally, a basically-nothing-got-to-do-with–it type deal, Prometheus remains something to be excited about and probably benefits from a lack of bad-blockbuster baggage. The plot has been kept a close secret but is rumoured to be about a team sent to the home world of the alien species that engineered the human race. Anything else is speculation, although I think it’s safe to assume the mission doesn’t go as smoothly as the main characters would have hoped. The cast is an international affair with Irishman Michael Fassbender and Sweed Naomi Repace providing indie cred along with cool-as-a-cucumber Brit Idris Elba. Charlize Theron rounds out the players as a sly corporate suit type alá Paul Reiser in Aliens, although hopefully she’ll be, y’know, less Paul Reiser-ee.

The Dark Knight Rises
While undoubtedly the most anticipated movie of next year, The Dark Knight Rises faces a tough battle to equal or surpass its predecessor. If Heath Ledger faced an uphill battle in topping Jack Nicholson’s Joker then Anne Hathaway seems as though she has a mountain to climb in order to be thought of as the definitive Catwoman. The star of Bride Wars, Get Smart and The Princess Diaries will have a lot to contend with if she’s to dethrone Michelle Pfeiffer’s classic incarnation. Hathaway won’t be armed with a ridiculously impractical figure-hugging cat-suit to help her case either.

Wednesday, August 3, 2011

One More Robot's Rock-Off Redemption

This August 18th we're staging our first ever Rock-Off Redemption, a battle-of-the-bands-type event for local Dublin bands who think they're hard enough for a proper throw down. Hosted by Q102 DJ Dave Harrington and with judges that include prominent Dublin music journalists, the winner will be featured on a two-page spread in our Autumn issue.

The Pint of Eden Quay is the venue and cost is €10 at the door with selected pints at €3.50.

We're currently looking for entries so if you think you've got enough metal (or even enough country & western) please contact us at onemorerobotmagazine@gmail.com

Sunday, July 24, 2011

Webcrawler

Originally Appears in Issue 7

Once again Declan Aylward dives into the weird and wonderful world of the web, reporting back with his findings.

Bad Astronomy
http://www.badastronomy.com

Phil Plait, also known as The Bad Astronomer, is a man who knows his science, and gets frustrated that the rest of us don’t. Or at least that we listen to people who don’t and take their views seriously. It bothered him enough to write a book called Bad Astronomy: Misconceptions and Misuses Revealed, from Astrology to the Moon Landing “Hoax” back in 2002 and, just in case we’re still not getting it, the Bad Astronomy blog, now hosted by discovermagazine.com, keeps us updated on the misconceptions, unfounded rumours and downright fearmongering that the mainstream media continually pump out in regard to scientific developments, astronomical or otherwise. As well as serving as a reliable source of news on astronomy, space exploration and just about anything else Plait finds interesting, the blog is witty and entertaining without talking down to the audience; a rare thing as far as ‘accessible’ science publications go. The archives are full of his debunkings of pseudoscience and mystic theories including a thorough reaming of astrology that will make you want to chase Mystic Meg through the streets with a flaming torch. Plait is a prolific writer, with two books, a sea of magazine and online articles and even a short-lived TV show under his belt and, unlike most of the theorists he rages against, he actually does hold a PhD in something related to what he is talking about; astronomy if you can believe that!http://www.blogger.com/img/blank.gif

People of Walmart
http://www.peopleofwalmart.com

America, land of big business, big cars and even bigger people. It’s also the home of the original ‘big box’ store, Walmart, a mega-shop with such a comprehensive offering that people from all corners of life visit it regularly, including those corners that should probably stay dark and unlit. People of Walmart is a photo blog glorifying the unrelenting tide of the weird and wrong that passes through the doors of Walmarts throughout the States. From velour jumpsuits and far-too-short shorts to creepy women pushing buggies full of stuffed animals, the extreme examples of the human condition, frozen like insects in amber by surreptitious camera phones, will have you chuckling, groaning and possibly even retching at your desk; don’t say we didn’t warn you. People of Walmart is probably the most well-known part of the Three Ring Blogs network, dedicated to shining a light on the weirdest photos snapped around the world. Well, let’s be fair, mostly in North America. Depending on your particular brand of horrified fascination, Freaks of Fast Food, Late Night Mistakes, Girls in Yoga Pants, or the particularly brilliant Random Creepy Guy bloghttp://www.blogger.com/img/blank.gif should be enough to keep you clicking ‘next’ long after it’s become unhealthy to keep looking.

Darths & Droids
http://www.darthsanddroids.net

Remember those Star Wars movies? The really awful ones? David Morgan-Mar certainly does, and they obviously made a deep impression on him. It was enough to try to make them vaguely tolerable in the form of a comic strip satire. Taking its cue from Shamus Young’s DM of the Rings, Darths & Droids takes the story of the Star Wars prequels, starting with the most undeservedly anticipated movie of all time, The Phantom Menace, and sets it as a Dungeons & Dragons-style roleplaying adventure, complete with a long-suffering gamemaster/narrator and a cadre of bored, difficult players whinging and joking their way through the story. The comic is done with video stills of the movies edited to include speech bubbles, so even if you’re not familiar with roleplaying games, seeing Liam Neeson and Ewan McGregor voice sarky versions of their Jedi alter egos by way of some unseen puppet-masters who don’t seem to ever have heard of Star Wars is hilarious and so determinedly meta you might just find yourself worrying you are turning into Abed from NBC’s Community. Morgan-Mar is as big a nerd as you are likely find, being the author of several roleplaying source books himself, as well as creating a couple of his own programming languages, including one based on a character from Terry Pratchett’s Discworld. Darths & Droids isn’t the only webcomic he produces and fans of this should check out his lego-based creation, Irregular Webcomic!

Tuesday, July 19, 2011

New Facebook Page


We've had some problems with our admin options on Facebook for the last week, so we've jumped ship and started a new page with the tidy www.facebook.com/onemorerobotmagazine

Please join for all the up-to-date One More Robot news and other fun stuff along the way.

Wednesday, July 13, 2011

One More Robot - Issue 7



BUY ISSUE ONLINE

Featured Articles


What Is Pop?
A critical analysis of what defines pop music.
by Joe Tangari

Heroes and Villains
In 2011, who are the world’s true pop idols?
by Jonathan Bogart

She's Just Being Miley
Why the much derided pop princess’s choice of covers are more appropriate than she’s given credit for.
by Joe Coscarelli

Black Polaroids on Planet Pop
How Andy Warhol’s legendary pop art became more influential than even the man himself could have imagined.
by Michael A. Gonzales

Let's Talk About Pop
Examining the evolution of pop from a political forum to the current state of affairs through the lens of a handful of songs that make up classic pop playlists.
by Trisha Doyle

"More Bounce For Your Ounce" - The Legacy of Roger Troutman
How the Zapp frontman continues to influence generation after generation of pop music.
by Dean Van Nguyen

Karmin and Other Rap-Covering Youtuberati
Do Karmin’s stripped down take on hip-hip makes them nothing more than their generation’s Me First and the Gimme Gimmes?
by Seán McTiernan

Also Includes

Piracy Gets Personal Matthew Jaffrey examines the novel way a film director has attempted to stop his work being pirated.

Wot Do U Call It?! Johnny Ilan on grime music’s rise from the undeground to the top of the UK charts.

Webcrawler More cherry-picked internet sites from Declan Aylward.

Spotlight: Oh Minnows
Jonathan Keane chats to former member of The Semifinalists Chris Steele-Nicholson about his new guise and latest release.

Overrated / Underrated Chris Familton examines two records he considers on the wrong side of critical consensus.

Ah Sure, Look It! Niamh King on her recent love affair with the British monarchy.

Half Nelson Jason Robinson evaluates some of the female comic talent working in Hollywood today.

and Much More